It’s been said many a time that music lives in the midrange and once you get that right, everything else can fall into place. If you love what you’ve got going on in the mid and high frequencies, but are unsure of your low end, put Match EQ to work by scanning one of your favorite references with a great low end and limiting the action area to below 250 Hz or so. Truly accurate low-frequency monitoring is one of the hardest things to get right in small home studios. This has many powerful implications, but here are a few key ways this could be used: You can now tailor the frequency range in which Match EQ is working. Ultimately, having Match EQ as its own module or plug-in means a more flexible and customizable workflow to help you reach your sonic goals faster. This could be useful for reducing CPU usage, using Match EQ on multiple tracks in a mix, using multiple instances on one master with different references, or smoothing and amount settings for different frequency ranges. If you’re an Ozone Advanced user, you can load Match EQ as a standalone component plug-in. While Match EQ was previously a somewhat discreet mode within the main Equalizer module, it is now its own, dedicated module. Creative uses for Match EQ in the context of a mix.How to ceate the vibe of your favourite artist with Match EQ.Let’s dig in, and learn how to use Match EQ in Ozone 9. Not only is Match EQ now its own module, it also has some fantastic new features to make it more useful than ever.

Gone are the days of loading multiple instances of Ozone to have both the standard and Match EQs, of having to repeatedly capture the same references, and of discarding results because they didn’t work for the whole spectrum. Ozone 9 is here, and with it comes a major overhaul to Match EQ.

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